Reading an Anthology of Chinese Poems of the Sung Dynasty, I Pause To Admire the Length and Clarity of Their Titles
It seems these poets have nothing
up their ample sleeves
they turn over so many cards so early,
telling us before the first line
whether it is wet or dry,
night or day, the season the man is standing in,
even how much he has had to drink.
Maybe it is autumn and he is looking at a sparrow.
Maybe it is snowing on a town with a beautiful name.
"Viewing Peonies at the Temple of Good Fortune
on a Cloudy Afternoon" is one of Sun Tung Po's.
"Dipping Water from the River and Simmering Tea"
is another one, or just
"On a Boat, Awake at Night."
And Lu Yu takes the simple rice cake with
"In a Boat on a Summer Evening
I Heard the Cry of a Waterbird.
It Was Very Sad and Seemed To Be Saying
My Woman Is Cruel—Moved, I Wrote This Poem."
There is no iron turnstile to push against here
as with headings like "Vortex on a String,"
"The Horn of Neurosis," or whatever.
No confusingly inscribed welcome mat to puzzle over.
Instead, "I Walk Out on a Summer Morning
to the Sound of Birds and a Waterfall"
is a beaded curtain brushing over my shoulders.
And "Ten Days of Spring Rain Have Kept Me Indoors"
is a servant who shows me into the room
where a poet with a thin beard
is sitting on a mat with a jug of wine
whispering something about clouds and cold wind,
about sickness and the loss of friends.
How easy he has made it for me to enter here,
to sit down in a corner,
cross my legs like his, and listen.
Source: Poetry (June 1999). [Via Poetryfoundation.org]
Hooray! My second book, The Art of the Shim: Low-Alcohol Cocktails to Keep You Level, is now out in hardcover and ebook.
Building this book has been a fun time and—due to an aggressive sub-one-year production schedule—a challenge, but the results are beautiful. Kelly Puleio's photography is even better than my high hopes and the production quality on this, the first offset printed title from Sanders & Gratz, is excellent. I'm very happy that the book has the sturdiness to serve its readers many years on their bar shelves.
Along the way I've been expanding my skills even further into the publisher realm. (Discardia: More Life, Less Stuff is print-on-demand in its paperback form, so inventory management and distribution is a new adventure.)
Some of the lessons have been painful. I've now learned the hard way that Amazon's record of a book can apparently get messed up if the release date is before Ingram has their copies on hand—or at least that's the only explanation I can find for Amazon suddenly switching the book's status to "Out of Print--Limited Availability" sometime between midday Saturday and midday Sunday last weekend. We're now on day four of no order button for the hardcover, which is enough to make anyone trying to launch a book tear their hair out.
Copies of the book are now in stock at Ingram's Oregon distribution center and lots more will be arriving at their Tennessee one today or tomorrow. Perhaps that will help kick the Amazon status back to normal (though I fear that if their techs don't identify and eliminate the bug, the problem would just come back the next time Ingram or their on hand count hits zero).
Next Tuesday (9/17) will be the New York launch at Pouring Ribbons bar and a week from Monday (9/23) will be the San Francisco celebration at The Booksmith bookstore. Looking forward to those events very much!
Even with bumps on the road, I'm having a great time as an author and a publisher!
Taken on August 08, 2013 at 12:25PM
Uploaded to Flickr on August 08, 2013 at 07:29PM: http://flic.kr/p/fqRBj7
Taken on August 08, 2013 at 12:21PM
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Taken on August 08, 2013 at 11:59AM
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Taken on August 08, 2013 at 11:53AM
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I just published “Venues Amplify Vibes: Patterns for Human-Scale Festivals” on Medium.
I weighed in on this independent publishers discussion with the following comment:
This is good advice and matches what I learned with my first book, Discardia: More Life, Less Stuff.
Buy your own ISBN from Bowker (or, realistically, a group of 10 if you're also doing ebooks so you also have ISBNs for the EPUB and Kindle editions).
Sign up for Createspace and use them for their excellent prices on proof copies (also handy for creating review and Goodreads giveaway copies). Get your book looking great and prepare to build buzz. Do not use Createspace's Extended Distribution.
Sign up for Lightning Source (LSI) with the final version of your book now that you've done some proofing passes with cheaper copies from Createspace. Use LSI for reaching libraries and booksellers. Resign yourself to not making much money per copy through LSI and set the discount low enough that a bookseller will consider ordering from you. Bear in mind that LSI and Ingram or Baker & Taylor are both taking a cut out of that discount and that the bookseller also needs to cover their costs and make their profit in that slice. Once you add it up it's easy to see why booksellers aren't likely to even do special orders for something that's only got a 25% discount, especially if it's non-returnable.
Offer the Kindle version through Amazon's KDP program.
Offer EPUB versions through Apple's iTunes Connect and either (or both) Barnes & Noble's Nook Press and Google's Google Play. (Note: I have not yet published through the latter, but it is an alternative to the (in my experience) very low-selling Nook/BN.com world. If you want to reach a broader audience, it's important to have a non-Kindle, non-iTunes way for people to buy your EPUB edition, particularly if part of your audience prefers DRM-free books.
My second book, The Art of the Shim: Low-Alcohol Cocktails to Keep You Level, is full of great photography and, while the color print-on-demand (POD) quality from both Createspace and LSI was very much better than I expected, it's not yet "coffee-table book quality" and my partner and I have decided to use offset press printing. We still used Createspace for proof and review copies.
If you are, like I was, getting the error message "TOC entry has incorrect nesting level" when you try to export from InDesign to EPUB, try this.
This seems to be an error in the hierarchy of TOC style levels and probably means you've got a lower level item listed before the higher level of which it is a sub-part. For example, I seemed to have a style I called "section headline" coming up before any of my "Part"s or "Chapter"s. So how to find it?
First, you need to know which style is causing the issue. I created a new TOC style called "EPUB TOC troubleshoot" and one-by-one added in the TOC styles I wanted to include from the highest level down, exporting to EPUB after each one until I got the error message.
Once you know which style is nested incorrectly, now you need to hunt down where it's out of the hierarchy. In InDesign CS6, go to Edit > Find/Change (or hit command or control F). Use the little icon beside the 'Find What' box to set it to look for Wildcards > Any Character. Us the little icon beside the 'Find Format' box to set it to look for Style Options > Paragraph Styles > [whatever your offending style seems to be].
You know what mine was? The section headline on the print version's table of contents page. Ha! I created a new style from that named "section headline TOC" so that it would be separated from the rest of the section headlines in the book which I wanted to use for my EPUB TOC and then, hooray! I exported without an error. Phew.